FILM CREW
Luigi Vendittelli
Luigi Vendittelli brings nearly four decades of experience to Project Gravitaur, fueled by a passion for researching the unknown that began in his childhood. With over 31 years as a business leader, Luigi has established a reputation for a visionary approach and successful ventures across multiple industries.
This project is the culmination of his own vision and independent funding, driven by a lifelong quest to uncover government secrets and the mysteries of UAPs. His deep interest in non-human intelligence, combined with a commitment to technological innovation, powers his mission to push the boundaries of possibility and document unknown phenomena.
Christopher Matteau
Christopher’s career has evolved from early adventure filmmaking to pioneering Illusion, a branch transforming Quebec’s industry through AR, VR, and Unreal Engine.
On this project, he serves as the VFX Lead and Co-Director, integrating traditional storytelling with immersive technology. Drawing on his background in broadcast direction and international sets, Christopher manages everything from 3D production to the final edit, pushing the boundaries of how visual effects are used in film. His expertise in Unreal Engine allows him to build complex, photorealistic environments that redefine the project's visual scale.
James Gray
James Gray is an acclaimed Scottish composer known for creating evocative, story-led scores for major broadcasters including the BBC, ITV, and Discovery. Specializing in the fusion of cinematic orchestration and modern sound design, Gray has become a sought-after voice for high-stakes factual and dramatic storytelling.
Most recently, he composed the full original score for the feature documentary Project Gravitaur (Motivo), bringing a unique, atmospheric sonic identity to the complex story of Bob Lazar.
Veronica Vendittelli
With over 20 years of experience, Veronica manages the visual and administrative landscape at Project Gravitaur (Motivo). As a graphic designer, she builds brand identities from the ground up, moving independently from creative concept to full-scale physical production.
Her work connects design with logistics, where she handled the creation of the film’s website, official poster, and all project merchandise. She oversees the internal architecture of every project, ensuring that visual assets and business operations remain functional and aligned.
Vanessa Chen
Vanessa handles the logistical and technical foundation of the production, moving between research, archival management, and on-set support. Her role on S4: The Bob Lazar Story involved everything from organizing technical data and managing schedules to filming and handling shop fulfillment. She bridges the gap between the office and the set, ensuring the project’s data and daily operations stay organized.